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David John Munrow (12 August 194215 May 1976) was a British musician and early music historian. == Biography and career == Munrow was born in Birmingham and both his parents taught at the University of Birmingham. His mother Hilda Ivy (née Norman) Munrow (1905-1985) was a dance teacher, and father Albert Davis "Dave" Munrow (1908-1975) was a lecturer and physical education instructor who wrote a book on the subject. David Munrow attended King Edward's School until 1960. He excelled academically. In 1960 he went to Peru, teaching English under the British Council student teacher scheme.〔''David Munrow: Pied Piper.'' "Biography". Accessed on 31 October 2011 at: http://www.davidmunrow.org/biography.htm.〕 He returned with Bolivian flutes and other obscure instruments. Whilst reading English for his master's degree〔Who Was Who vol. 7, 1971, A. & C. Black, pg 569〕 at Pembroke College, Cambridge, he noticed a crumhorn on a friend's wall, which prompted him to commence an independent study of early musical instruments. From his starting position as a pianist, singer and bassoonist he taught himself many old instruments. He joined the Royal Shakespeare Company as a bassoonist but soon played instruments of Shakespeare's time. Although he displayed talent on a wide variety of instruments, he had a particular lasting influence as a recorder player. His English style of discreet, controlled expression contrasts with the greater tonal flexibility of the Continental style espoused by the Dutch recorder player Frans Brüggen and others. By 1967 he was a lecturer in early music in the University of Leicester having married Gillian Veronica Reid the previous year.〔Who Was Who vol. 7, 1971, A. & C. Black, pg 569〕 With Christopher Hogwood he formed the Early Music Consort, each of whose core members was an expert in their particular instruments. Sometimes other professional musicians were employed when necessary, such as Nigel North and Robert Spencer, both highly regarded lutenists. From 1968, he toured the world, unearthing obscure instruments in every country he visited. He commissioned reconstructions of instruments related to the cornett and rackett from, amongst others, Otto Steinkopf. Two television programmes made him a household name: ''The Six Wives of Henry VIII'' (1970) and ''Elizabeth R'' (1971), and he also scored the feature film adaptation of the former, ''Henry VIII and His Six Wives'', in 1972. Munrow's two contributions to film music were for British directors: Ken Russell's ''The Devils'' (1971) and ''Zardoz'' (1974), written and directed by John Boorman. The latter included arrangements of Beethoven's Symphony No. 7 for early music instruments. During his relatively short life, Munrow released over fifty records, some of which are now available on CD. In addition to his recordings with the Early Music Consort, he recorded with Michael Morrow's Musica Reservata, Alfred Deller and The King's Singers. Munrow recorded Bach and Monteverdi many times, but his widest influence was in the Medieval and Renaissance periods. His three-record set with the Early Music Consort ''The Art of the Netherlands'', issued in 1976 (EMI SLS5049), was particularly influential in popularising the genre. On BBC Radio 3 he presented ''Pied Piper'', a multi-ethnic, centuries-spanning spread of music from Monteverdi to the Electric Light Orchestra rock group. Munrow also had dealings notably with The Young Tradition and Shirley and Dolly Collins. Apart from his regular radio slot and other programmes, he appeared on television, most notably on BBC 2 in a series entitled ''Ancestral Voices'' in a London studio, and on ITV ''Early Musical Instruments'', filmed on location at Ordsall Hall in Salford. He also wrote one book entitled ''Instruments of the Middle Ages, and the Renaissance.'' Originally, this accompanied a record set of the same name. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「David Munrow」の詳細全文を読む スポンサード リンク
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